Eklund Opera’s performance featured psychedelic color-coded costumes, cartoonish projections and symbolic dancing puppets.
Set in a 1960s, this modern adaptation of “Gallathea” featured vibrant costumes and hammed up comedy.
girl in red’s music video for “I’ll Call You Mine” is her most polished and ambitious to date, reflecting her artistic evolution.
Blues singer and guitarist Ana Popovic held the audience spellbound at the Dickens Opera House on Friday, Nov. 5.
Production faces dark themes of Rodgers and Hammerstein’s hit show.
Stirling, the YouTuber “hip-hop violinist,” brought her epic fantasy album to life on her long-awaited Artemis Tour.
It’s time to dismantle the NRA’s fear-based tactics and the misinformation about guns that divides our nation.
“Minari” is a slow-moving tale of Korean immigrants in Arkansas, filled with subtle realism and colorful family vignettes.
A search for musical identity, community and representation.
For diversity initiatives to last, classical music needs radical institutional change.
Boulder-based label Starkland recently issued three CDs that explore contemporary music’s different personalities.
If we don’t stop exploiting animals everywhere, COVID-19 is just the beginning.
In his new album “Velvet,” Adam Lambert launches into a funky, retro era, leaving behind his glam electropop.
Australia’s Zephyr Quartet produces a multilayered masterpiece on their newest album “Epilogue.”
French pianist Pierre-Laurent Aimard linked forward-thinking musical geniuses at CU’s Macky Auditorium.
Nobuntu’s dynamic dancing and warm, mellifluous a capella vocals filled Macky Auditorium with warmth.
Jazz guitarist Al Di Meola sampled from his vast repertoire to build a thoroughly enjoyable, intimate set.
The Phamaly Theatre Company, aiming to make more inclusive theatrical performances, brought stories of the Windy City to Denver.
Virtuoso Chloé Trevor performed Vivaldi’s and Piazzolla’s “The Four Seasons” with beauty and grace.